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This track was composed for Murdertusk's trailer, which is a short prologue sketch in and of itself. I tried to write something that sounded like typical, epic, beat-driven trailer music, with slight twists thrown in. The track was written with two stops for particularly stupid Buxtehude lines, and a thrashing ending to match the fast cuts which reveal the only shots from the actual movie. The dark piano section coincides with Walter burning down the office.